Oceans by Olafur Arnalds cover art

30s preview

Key
11A · F♯ minor
BPM
115
Open Key
4m
Energy
39/100
Pop
12/100
Length
4:40
Released
2020
Genre
Downtempo
Label
Decca Music Group Limited
Loudness
-13.2 dB
Dynamics
10.6 dB
ISRC
GBBBC1900179

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Oceans runs 115 BPM in F♯ minor (11A), a mid-tempo downtempo record. Tonally it lands brooding and low-slung. Vocals read as voice. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. Groovier than 93% of Olafur Arnalds's catalogue. For programming, treat it as a warm-up or breakdown cut.

Energy:
hotter than 87% of Olafur Arnalds's catalogue
Low end:
more bass-heavy than 77% of Olafur Arnalds's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy39
Mood8Dark
Groove66
Acoustic47
Instrumental69
Live8
Speech3
darkrelaxedvoice

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
39%
Low
30-130 Hz
30%
Low-mid
130-570 Hz
19%
Upper-mid
570 Hz-2.5 kHz
12%
High
2.5-11 kHz

FAQ

What key is Oceans in?

Oceans by Olafur Arnalds is in F♯ minor, or 11A on the Camelot wheel.

What BPM is Oceans?

Oceans runs at 115 BPM, a mid-tempo track.

What mixes well with Oceans?

From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.

Is Oceans good for peak time?

With energy 39 out of 100 at 115 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

11A10A · 12A · 11B

From 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.

Every move from 11A

12ASimple Mix Upper
10ASimple Mix Downer
11BTonal Shift·
12BDiagonal Mix Upper
10BDiagonal Mix Downer
8BCompatible Tone·
1AHigh Energy Boost▲▲▲
9AHigh Energy Drain▼▼▼
2AParallel Key Upper▲▲
8AParallel Key Downer▼▼
6ATritone Jump▲▲
3ARelated Keyrisky

How to mix it

In 11A at 115 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.

Pitch range at ±6%: 108-122 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 115 — beatmatch without a big tempo pull.

More downtempo

More from Olafur Arnalds

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 115 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track