Not Alone
- Key
- 6A · G minor
- BPM
- 210
- Half-time
- 105
- Open Key
- 11m
- Energy
- 3/100
- Pop
- 52/100
- Length
- 3:16
- Released
- 2015
- Genre
- Downtempo
- Loudness
- -28.1 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Not Alone - Broadchurch - From "Broadchurch"original6A · 210
Not Alone runs 210 BPM in G minor (6A), a downtempo record. The feel is brooding and low-slung. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. A 2015 production that still circulates in sets. Faster than 99% of Olafur Arnalds's catalogue.
- Groove:
- less groove-driven than 99% of Olafur Arnalds's catalogue
- Reach:
- better known than 97% of Olafur Arnalds's catalogue
- Energy:
- calmer than 82% of Olafur Arnalds's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Not Alone in?
Not Alone by Olafur Arnalds is in G minor, or 6A on the Camelot wheel.
What BPM is Not Alone?
Not Alone runs at 210 BPM.
What mixes well with Not Alone?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is Not Alone good for peak time?
With energy 3 out of 100 at 210 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 210 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 197-223 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 210 — beatmatch without a big tempo pull.
More downtempo
More from Olafur Arnalds
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 210 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
