
saman - Sunrise Session II
30s preview
- Key
- 5A · C minor
- BPM
- 106
- Open Key
- 10m
- Energy
- 2/100
- Pop
- 34/100
- Length
- 2:33
- Released
- 2022
- Album
- Sunrise Session II
- Genre
- Downtempo
- Loudness
- -33.3 dB
- Dynamics
- 16.7 dB
- ISRC
- GBUM72200921
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- saman - string quartet versionoriginal5A · 88
- samanoriginal5A · 214
- saman (berlin)original5A · 109
saman - Sunrise Session II is a mid-tempo downtempo track in C minor (5A) at 106 BPM. Tonally it lands brooding and low-slung. The groove is loose and less beat-driven. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 17 dB). Calmer than 90% of Olafur Arnalds's catalogue. In a set it works best as a warm-up or breakdown cut.
- Reach:
- better known than 84% of Olafur Arnalds's catalogue
- Low end:
- more bass-heavy than 76% of Olafur Arnalds's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 45%
- Low-mid
- 130-570 Hz
- 16%
- Upper-mid
- 570 Hz-2.5 kHz
- 0%
- High
- 2.5-11 kHz
FAQ
What key is saman - Sunrise Session II in?
saman - Sunrise Session II by Olafur Arnalds is in C minor, or 5A on the Camelot wheel.
What BPM is saman - Sunrise Session II?
saman - Sunrise Session II runs at 106 BPM, a mid-tempo track.
What mixes well with saman - Sunrise Session II?
From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.
Is saman - Sunrise Session II good for peak time?
With energy 2 out of 100 at 106 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
5A → 4A · 6A · 5BFrom 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.
How to mix it
In 5A at 106 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.
Pitch range at ±6%: 100-112 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 106 — beatmatch without a big tempo pull.
More downtempo
More from Olafur Arnalds
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 106 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.