Not Everything Is as It Seems, Not Everything That Seems Is
30s preview
- Key
- 4A · F minor
- BPM
- 100
- Double-time
- 200
- Open Key
- 9m
- Energy
- 22/100
- Pop
- 0/100
- Length
- 3:06
- Released
- 2025
- Genre
- Downtempo
- Loudness
- -19.4 dB
- Dynamics
- 14.7 dB
- ISRC
- GBEWA2503332
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A slow-groove tempo downtempo cut, Not Everything Is as It Seems, Not Everything That Seems Is sits in F minor (4A) at 100 BPM. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 15 dB). Slower than 99% of Cornelius SA's catalogue. In a set it works best as a warm-up or breakdown cut.
- Reach:
- more underground than 99% of Cornelius SA's catalogue
- Groove:
- less groove-driven than 96% of Cornelius SA's catalogue
- Energy:
- calmer than 94% of Cornelius SA's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 39%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 5%
- High
- 2.5-11 kHz
FAQ
What key is Not Everything Is as It Seems, Not Everything That Seems Is in?
Not Everything Is as It Seems, Not Everything That Seems Is by Cornelius SA is in F minor, or 4A on the Camelot wheel.
What BPM is Not Everything Is as It Seems, Not Everything That Seems Is?
Not Everything Is as It Seems, Not Everything That Seems Is runs at 100 BPM, a slow-groove tempo track.
What mixes well with Not Everything Is as It Seems, Not Everything That Seems Is?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Not Everything Is as It Seems, Not Everything That Seems Is good for peak time?
With energy 22 out of 100 at 100 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 100 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 94-106 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 100 — beatmatch without a big tempo pull.
More downtempo
More from Cornelius SA
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 100 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
