Tie In
- BPM
- 100
- Double-time
- 200
- Open Key
- 6m
- Energy
- 41/100
- Pop
- 34/100
- Length
- 9:42
- Released
- 2012
- Genre
- Acid
- Loudness
- -13.1 dB
- ISRC
- USJ4X0702002
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A slow-groove tempo acid cut, Tie In sits in A♭ minor (1A) at 100 BPM. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2012 production that still circulates in sets. Better known than 96% of Recondite's catalogue.
- Tempo:
- slower than 91% of Recondite's catalogue
- Low end:
- more bass-heavy than 81% of Recondite's catalogue
- Brightness:
- brighter than 79% of Recondite's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 51%
- Low
- 30-130 Hz
- 35%
- Low-mid
- 130-570 Hz
- 11%
- Upper-mid
- 570 Hz-2.5 kHz
- 3%
- High
- 2.5-11 kHz
FAQ
What key is Tie In in?
Tie In by Recondite is in A♭ minor, or 1A on the Camelot wheel.
What BPM is Tie In?
Tie In runs at 100 BPM, a slow-groove tempo track.
What mixes well with Tie In?
From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.
Is Tie In good for peak time?
With energy 41 out of 100 at 100 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
1A → 12A · 2A · 1BFrom 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.
How to mix it
In 1A at 100 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.
Pitch range at ±6%: 94-106 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 100 — beatmatch without a big tempo pull.
![Castles - Daniel Avery Remix [Edit] by Daniel Avery cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/bb92694f14f87cdf691c.webp){kind=small}
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 100 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
