John Taylor's Month Away - Single Version
30s preview
- Key
- 9B · G major
- BPM
- 95
- Double-time
- 190
- Open Key
- 2d
- Energy
- 36/100
- Pop
- 1/100
- Length
- 4:18
- Released
- 2012
- Album
- John Taylor's Month Away / Missionary
- Genre
- Ambient
- Loudness
- -12.9 dB
- Dynamics
- 15.9 dB
- ISRC
- GBCEL1100682
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- John Taylor's Month Awayoriginal8B · 95
- John Taylor's Month Awayoriginal8B · 95
A slow-groove tempo ambient cut, John Taylor's Month Away - Single Version sits in G major (9B) at 95 BPM. It is vocal-led. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 16 dB). A 2012 production that still circulates in sets. More treble-tilted than 97% of Jon Hopkins's catalogue. In a set it works best as a warm-up or breakdown cut.
- Reach:
- more underground than 80% of Jon Hopkins's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 27%
- Low
- 30-130 Hz
- 33%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is John Taylor's Month Away - Single Version in?
John Taylor's Month Away - Single Version by Jon Hopkins is in G major, or 9B on the Camelot wheel.
What BPM is John Taylor's Month Away - Single Version?
John Taylor's Month Away - Single Version runs at 95 BPM, a slow-groove tempo track.
What mixes well with John Taylor's Month Away - Single Version?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is John Taylor's Month Away - Single Version good for peak time?
With energy 36 out of 100 at 95 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 95 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 89-101 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 95 — beatmatch without a big tempo pull.
More ambient
More from Jon Hopkins
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 95 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
