Surface by Recondite cover art

Surface

Recondite

30s preview

Key
10B · D major
BPM
180
Half-time
90
Open Key
3d
Energy
36/100
Pop
0/100
Length
4:57
Released
2020
Genre
Acid
Loudness
-18.8 dB
Dynamics
11.5 dB
ISRC
US2J71904408

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 180 BPM in D major (10B), Surface is an acid production. The feel is brooding and low-slung. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). Faster than 99% of Recondite's catalogue. For programming, treat it as a warm-up or breakdown cut.

Reach:
more underground than 99% of Recondite's catalogue
Groove:
less groove-driven than 91% of Recondite's catalogue
Low end:
more bass-heavy than 89% of Recondite's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy36
Mood4Dark
Groove56
Acoustic4
Instrumental87
Live11
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
53%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
13%
Upper-mid
570 Hz-2.5 kHz
7%
High
2.5-11 kHz

FAQ

What key is Surface in?

Surface by Recondite is in D major, or 10B on the Camelot wheel.

What BPM is Surface?

Surface runs at 180 BPM.

What mixes well with Surface?

From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.

Is Surface good for peak time?

With energy 36 out of 100 at 180 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

10B9B · 11B · 10A

From 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.

#Track

Every move from 10B

11BSimple Mix Upper
9BSimple Mix Downer
10ATonal Shift·
11ADiagonal Mix Upper
9ADiagonal Mix Downer
1ACompatible Tone·
12BHigh Energy Boost▲▲▲
8BHigh Energy Drain▼▼▼
1BParallel Key Upper▲▲
7BParallel Key Downer▼▼
5BTritone Jump▲▲
2BRelated Keyrisky

How to mix it

In 10B at 180 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.

Pitch range at ±6%: 169-191 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 180 — beatmatch without a big tempo pull.

#Track

More acid

#Track

More from Recondite

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 180 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track