Karat by Recondite cover art

30s preview

Key
12A · D♭ minor
BPM
127
Open Key
5m
Energy
80/100
Pop
24/100
Length
5:25
Released
2024
Genre
Techno
Label
Plangent Records
Loudness
-11.1 dB
Dynamics
11.4 dB
ISRC
DECY52400932

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Karat runs 127 BPM in D♭ minor (12A), a peak-time tempo techno record. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 11 dB). Hotter than 94% of Recondite's catalogue. For programming, treat it as a peak-time weapon.

Reach:
better known than 91% of Recondite's catalogue
Low end:
more treble-tilted than 89% of Recondite's catalogue
Tempo:
faster than 85% of Recondite's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy80
Mood20Dark
Groove77
Acoustic0
Instrumental88
Live12
Speech10

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
38%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
13%
High
2.5-11 kHz

FAQ

What key is Karat in?

Karat by Recondite is in D♭ minor, or 12A on the Camelot wheel.

What BPM is Karat?

Karat runs at 127 BPM, a peak-time tempo track.

What mixes well with Karat?

From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.

Is Karat good for peak time?

With energy 80 out of 100 at 127 BPM, it works best as a peak-time weapon.

Mixes harmonically

12A11A · 1A · 12B

From 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.

Every move from 12A

1ASimple Mix Upper
11ASimple Mix Downer
12BTonal Shift·
1BDiagonal Mix Upper
11BDiagonal Mix Downer
9BCompatible Tone·
2AHigh Energy Boost▲▲▲
10AHigh Energy Drain▼▼▼
3AParallel Key Upper▲▲
9AParallel Key Downer▼▼
7ATritone Jump▲▲
4ARelated Keyrisky

How to mix it

In 12A at 127 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.

Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 80/100).

Similar tempo

Within ±3 BPM of 127 — beatmatch without a big tempo pull.

More techno

#Track

More from Recondite

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track