
Karat
30s preview
- BPM
- 127
- Open Key
- 5m
- Energy
- 80/100
- Pop
- 24/100
- Length
- 5:25
- Released
- 2024
- Genre
- Techno
- Label
- Plangent Records
- Loudness
- -11.1 dB
- Dynamics
- 11.4 dB
- ISRC
- DECY52400932
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Karat runs 127 BPM in D♭ minor (12A), a peak-time tempo techno record. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 11 dB). Hotter than 94% of Recondite's catalogue. For programming, treat it as a peak-time weapon.
- Reach:
- better known than 91% of Recondite's catalogue
- Low end:
- more treble-tilted than 89% of Recondite's catalogue
- Tempo:
- faster than 85% of Recondite's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Karat in?
Karat by Recondite is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Karat?
Karat runs at 127 BPM, a peak-time tempo track.
What mixes well with Karat?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Karat good for peak time?
With energy 80 out of 100 at 127 BPM, it works best as a peak-time weapon.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 127 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 80/100).
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More techno
More from Recondite
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.