Collapsing Sky
30s preview
- BPM
- 179
- Half-time
- 90
- Open Key
- 3m
- Energy
- 65/100
- Pop
- 0/100
- Length
- 4:53
- Released
- 2022
- Album
- Ultra Truth
- Genre
- Ambient
- Loudness
- -13.3 dB
- Dynamics
- 12.6 dB
- ISRC
- GBTZZ2200028
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
An ambient cut, Collapsing Sky sits in B minor (10A) at 179 BPM. The feel is dark and driving. It leans atmospheric over strictly danceable. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). More underground than 99% of Daniel Avery's catalogue. In a set it works best as an opener or closing-set piece.
- Tempo:
- faster than 98% of Daniel Avery's catalogue
- Groove:
- less groove-driven than 89% of Daniel Avery's catalogue
- Low end:
- more treble-tilted than 80% of Daniel Avery's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 26%
- Upper-mid
- 570 Hz-2.5 kHz
- 9%
- High
- 2.5-11 kHz
FAQ
What key is Collapsing Sky in?
Collapsing Sky by Daniel Avery is in B minor, or 10A on the Camelot wheel.
What BPM is Collapsing Sky?
Collapsing Sky runs at 179 BPM.
What mixes well with Collapsing Sky?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Collapsing Sky good for peak time?
With energy 65 out of 100 at 179 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 179 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 168-190 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 179 — beatmatch without a big tempo pull.
More ambient
More from Daniel Avery
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 179 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
