S6
- Key
- 8B · C major
- BPM
- 180
- Half-time
- 90
- Open Key
- 1d
- Energy
- 64/100
- Pop
- 0/100
- Length
- 6:56
- Released
- 2013
- Genre
- Industrial
- Loudness
- -14.8 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
S6 runs 180 BPM in C major (8B), an industrial record. Tonally it lands dark and driving. The groove is loose and less beat-driven. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2013 production that still circulates in sets. More underground than 99% of SNTS's catalogue. For programming, treat it as an opener or closing-set piece.
- Tempo:
- faster than 98% of SNTS's catalogue
- Groove:
- less groove-driven than 91% of SNTS's catalogue
- Energy:
- calmer than 77% of SNTS's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is S6 in?
S6 by SNTS is in C major, or 8B on the Camelot wheel.
What BPM is S6?
S6 runs at 180 BPM.
What mixes well with S6?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is S6 good for peak time?
With energy 64 out of 100 at 180 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 180 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 169-191 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 180 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 180 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
