Second Sense by Jon Hopkins cover art

Second Sense

Jon Hopkins

Key
3B · D♭ major
BPM
88
Double-time
176
Open Key
8d
Energy
62/100
Pop
25/100
Length
5:14
Released
2004
Genre
Ambient
Loudness
-9.3 dB
ISRC
GBDDN0300103

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Second Sense runs 88 BPM in D♭ major (3B), a downtempo ambient record. Tonally it lands dark and driving. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. A 2004 production that still circulates in sets. More treble-tilted than 89% of Jon Hopkins's catalogue. For programming, treat it as an opener or closing-set piece.

Energy:
hotter than 79% of Jon Hopkins's catalogue
Tempo:
slower than 76% of Jon Hopkins's catalogue
Groove:
groovier than 76% of Jon Hopkins's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy62
Mood20Dark
Groove61
Acoustic21
Instrumental80
Live13
Speech3

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
31%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
25%
Upper-mid
570 Hz-2.5 kHz
15%
High
2.5-11 kHz

FAQ

What key is Second Sense in?

Second Sense by Jon Hopkins is in D♭ major, or 3B on the Camelot wheel.

What BPM is Second Sense?

Second Sense runs at 88 BPM, a downtempo track.

What mixes well with Second Sense?

From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.

Is Second Sense good for peak time?

With energy 62 out of 100 at 88 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

3B2B · 4B · 3A

From 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.

#Track

Every move from 3B

4BSimple Mix Upper
2BSimple Mix Downer
3ATonal Shift·
4ADiagonal Mix Upper
2ADiagonal Mix Downer
6ACompatible Tone·
5BHigh Energy Boost▲▲▲
1BHigh Energy Drain▼▼▼
6BParallel Key Upper▲▲
12BParallel Key Downer▼▼
10BTritone Jump▲▲
7BRelated Keyrisky

How to mix it

In 3B at 88 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.

Pitch range at ±6%: 83-93 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 88 — beatmatch without a big tempo pull.

#Track

More ambient

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 88 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track