Ambivalent by Aparde cover art

Ambivalent

Aparde

30s preview

Key
4B · A♭ major
BPM
86
Double-time
172
Open Key
9d
Energy
55/100
Pop
11/100
Length
4:34
Released
2024
Genre
Downtempo
Loudness
-12.8 dB
Dynamics
18.7 dB
ISRC
QZS662489508

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Ambivalent is a downtempo downtempo track in A♭ major (4B) at 86 BPM. The feel is dark and steady. The mix is almost entirely instrumental. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 19 dB). Darker than 97% of Aparde's catalogue. In a set it works best as an opener or closing-set piece.

Tempo:
slower than 94% of Aparde's catalogue
Low end:
more treble-tilted than 92% of Aparde's catalogue
Groove:
less groove-driven than 87% of Aparde's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy55
Mood4Dark
Groove45
Acoustic6
Instrumental80
Live11
Speech3

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
29%
Low
30-130 Hz
30%
Low-mid
130-570 Hz
25%
Upper-mid
570 Hz-2.5 kHz
15%
High
2.5-11 kHz

FAQ

What key is Ambivalent in?

Ambivalent by Aparde is in A♭ major, or 4B on the Camelot wheel.

What BPM is Ambivalent?

Ambivalent runs at 86 BPM, a downtempo track.

What mixes well with Ambivalent?

From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.

Is Ambivalent good for peak time?

With energy 55 out of 100 at 86 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

4B3B · 5B · 4A

From 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.

#Track

Every move from 4B

5BSimple Mix Upper
3BSimple Mix Downer
4ATonal Shift·
5ADiagonal Mix Upper
3ADiagonal Mix Downer
7ACompatible Tone·
6BHigh Energy Boost▲▲▲
2BHigh Energy Drain▼▼▼
7BParallel Key Upper▲▲
1BParallel Key Downer▼▼
11BTritone Jump▲▲
8BRelated Keyrisky

How to mix it

In 4B at 86 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.

Pitch range at ±6%: 81-91 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 86 — beatmatch without a big tempo pull.

#Track

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 86 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track