Dawn by Jon Hopkins cover art
Key
10B · D major
BPM
85
Double-time
170
Open Key
3d
Energy
9/100
Pop
40/100
Length
3:29
Released
2010
Genre
Ambient
Loudness
-26.2 dB

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

  • Dawnoriginal5A · 67

Dawn is a downtempo ambient track in D major (10B) at 85 BPM. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. A 2010 production that still circulates in sets. Better known than 90% of Jon Hopkins's catalogue. In a set it works best as a warm-up or breakdown cut.

Energy:
calmer than 86% of Jon Hopkins's catalogue
Tempo:
slower than 79% of Jon Hopkins's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy9
Mood6Dark
Groove29
Acoustic96
Instrumental91
Live11
Speech3

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Dawn in?

Dawn by Jon Hopkins is in D major, or 10B on the Camelot wheel.

What BPM is Dawn?

Dawn runs at 85 BPM, a downtempo track.

What mixes well with Dawn?

From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.

Is Dawn good for peak time?

With energy 9 out of 100 at 85 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

10B9B · 11B · 10A

From 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.

#Track

Every move from 10B

11BSimple Mix Upper
9BSimple Mix Downer
10ATonal Shift·
11ADiagonal Mix Upper
9ADiagonal Mix Downer
1ACompatible Tone·
12BHigh Energy Boost▲▲▲
8BHigh Energy Drain▼▼▼
1BParallel Key Upper▲▲
7BParallel Key Downer▼▼
5BTritone Jump▲▲
2BRelated Keyrisky

How to mix it

In 10B at 85 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.

Pitch range at ±6%: 80-90 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 85 — beatmatch without a big tempo pull.

#Track

More ambient

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More from Jon Hopkins

Full profile
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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 85 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track