partial - choir version
30s preview
- BPM
- 88
- Double-time
- 176
- Open Key
- 4d
- Energy
- 4/100
- Pop
- 28/100
- Length
- 4:05
- Released
- 2019
- Album
- re:member (choir versions)
- Genre
- Downtempo
- Label
- Mercury KX
- Loudness
- -21.2 dB
- Dynamics
- 14.1 dB
- ISRC
- GBBBC1900070
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- partial (choir version)original11A · 64
- partial - Max Cooper's '99 Remixremix11A · 124
partial - choir version is a downtempo downtempo track in A major (11B) at 88 BPM. The feel is brooding and low-slung. The groove is loose and less beat-driven. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). Less groove-driven than 86% of Olafur Arnalds's catalogue. In a set it works best as a warm-up or breakdown cut.
- Reach:
- better known than 78% of Olafur Arnalds's catalogue
- Energy:
- calmer than 76% of Olafur Arnalds's catalogue
- Brightness:
- darker than 76% of Olafur Arnalds's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 40%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 2%
- High
- 2.5-11 kHz
FAQ
What key is partial - choir version in?
partial - choir version by Olafur Arnalds is in A major, or 11B on the Camelot wheel.
What BPM is partial - choir version?
partial - choir version runs at 88 BPM, a downtempo track.
What mixes well with partial - choir version?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is partial - choir version good for peak time?
With energy 4 out of 100 at 88 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 88 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 83-93 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 88 — beatmatch without a big tempo pull.
More downtempo
More from Olafur Arnalds
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 88 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
