Knowing by Aparde cover art

Knowing

Aparde

30s preview

Key
8B · C major
BPM
176
Half-time
88
Open Key
1d
Energy
11/100
Pop
2/100
Length
1:08
Released
2024
Genre
Downtempo
Loudness
-24.4 dB
Dynamics
14.6 dB
ISRC
QZS652408601

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 176 BPM in C major (8B), Knowing is a downtempo production. It reads as brooding and low-slung. The groove is loose and less beat-driven. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 15 dB). Less groove-driven than 99% of Aparde's catalogue. In a set it works best as a warm-up or breakdown cut.

Tempo:
faster than 98% of Aparde's catalogue
Energy:
calmer than 93% of Aparde's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy11
Mood19Dark
Groove14
Acoustic98
Instrumental89
Live12
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
44%
Low
30-130 Hz
39%
Low-mid
130-570 Hz
17%
Upper-mid
570 Hz-2.5 kHz
0%
High
2.5-11 kHz

FAQ

What key is Knowing in?

Knowing by Aparde is in C major, or 8B on the Camelot wheel.

What BPM is Knowing?

Knowing runs at 176 BPM.

What mixes well with Knowing?

From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.

Is Knowing good for peak time?

With energy 11 out of 100 at 176 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

8B7B · 9B · 8A

From 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.

#Track

Every move from 8B

9BSimple Mix Upper
7BSimple Mix Downer
8ATonal Shift·
9ADiagonal Mix Upper
7ADiagonal Mix Downer
11ACompatible Tone·
10BHigh Energy Boost▲▲▲
6BHigh Energy Drain▼▼▼
11BParallel Key Upper▲▲
5BParallel Key Downer▼▼
3BTritone Jump▲▲
12BRelated Keyrisky

How to mix it

In 8B at 176 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.

Pitch range at ±6%: 165-187 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 176 — beatmatch without a big tempo pull.

#Track

More downtempo

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More from Aparde

Full profile
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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 176 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track