Culpa - Lysten Rework
30s preview
- Key
- 8A · A minor
- BPM
- 116
- Open Key
- 1m
- Energy
- 55/100
- Pop
- 28/100
- Length
- 4:04
- Released
- 2025
- Album
- Culpa (Lysten Rework)
- Genre
- Downtempo
- Loudness
- -12.5 dB
- Dynamics
- 11.0 dB
- ISRC
- DEZ392502466
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Culpaoriginal8A · 120
Against the original (8A at 120 BPM), this version runs 4 BPM slower in the same key.
Culpa - Lysten Rework: mid-tempo downtempo, A minor (8A), 116 BPM. It reads as dark and steady. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 11 dB). Better known than 97% of Aparde's catalogue. In a set it works best as a mid-set roller.
- Tempo:
- slower than 83% of Aparde's catalogue
- Brightness:
- darker than 80% of Aparde's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 33%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 8%
- High
- 2.5-11 kHz
FAQ
What key is Culpa - Lysten Rework in?
Culpa - Lysten Rework by Aparde is in A minor, or 8A on the Camelot wheel.
What BPM is Culpa - Lysten Rework?
Culpa - Lysten Rework runs at 116 BPM, a mid-tempo track.
What mixes well with Culpa - Lysten Rework?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Culpa - Lysten Rework good for peak time?
With energy 55 out of 100 at 116 BPM, it works best as a mid-set roller.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 116 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 109-123 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 116 — beatmatch without a big tempo pull.
More downtempo
More from Aparde
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 116 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
