Clouds
- Key
- 9A · E minor
- BPM
- 121
- Open Key
- 2m
- Energy
- 45/100
- Pop
- 0/100
- Length
- 4:24
- Released
- 2012
- Album
- Clouds / Der Erzaehler
- Genre
- Downtempo
- Loudness
- -14.0 dB
- ISRC
- DEZ651710764
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Clouds (Jonas Woehl Remix)remix10A · 125
Clouds is a club-tempo downtempo track in E minor (9A) at 121 BPM. The feel is dark and steady. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2012 production that still circulates in sets. More underground than 99% of Aparde's catalogue. In a set it works best as a mid-set roller.
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Clouds in?
Clouds by Aparde is in E minor, or 9A on the Camelot wheel.
What BPM is Clouds?
Clouds runs at 121 BPM, a club-tempo track.
What mixes well with Clouds?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Clouds good for peak time?
With energy 45 out of 100 at 121 BPM, it works best as a mid-set roller.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 121 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 114-128 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 121 — beatmatch without a big tempo pull.
More downtempo
More from Aparde
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 121 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
