The Change Is Gonna Come by Marc Romboy cover art

The Change Is Gonna Come

Marc Romboy

Key
3A · B♭ minor
BPM
122
Open Key
8m
Energy
43/100
Pop
0/100
Length
6:50
Released
2011
Genre
Tech House
Loudness
-14.2 dB

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A club-tempo tech house cut, The Change Is Gonna Come sits in B♭ minor (3A) at 122 BPM. The feel is dark and steady. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2011 production that still circulates in sets. More underground than 99% of Marc Romboy's catalogue.

Groove:
groovier than 92% of Marc Romboy's catalogue
Energy:
calmer than 83% of Marc Romboy's catalogue
Tempo:
slower than 83% of Marc Romboy's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy43
Mood22Dark
Groove85
Acoustic2
Instrumental92
Live7
Speech7

Frequency spectrum

amplitude · bass → treble

FAQ

What key is The Change Is Gonna Come in?

The Change Is Gonna Come by Marc Romboy is in B♭ minor, or 3A on the Camelot wheel.

What BPM is The Change Is Gonna Come?

The Change Is Gonna Come runs at 122 BPM, a club-tempo track.

What mixes well with The Change Is Gonna Come?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is The Change Is Gonna Come good for peak time?

With energy 43 out of 100 at 122 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 122 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 122 — beatmatch without a big tempo pull.

#Track

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track