Matar by Sascha Braemer cover art

30s preview

Key
9B · G major
BPM
122
Open Key
2d
Energy
43/100
Pop
14/100
Length
6:48
Released
2019
Album
Matar (15 Yrs Systematic)
Genre
Tech House
Loudness
-14.3 dB
Dynamics
10.2 dB
ISRC
DEPI81901277

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Matar runs 122 BPM in G major (9B), a club-tempo tech house record. It reads as dark and steady. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. Darker than 99% of Sascha Braemer's catalogue. In a set it works best as a warm-up or breakdown cut.

Low end:
more bass-heavy than 99% of Sascha Braemer's catalogue
Energy:
calmer than 90% of Sascha Braemer's catalogue
Reach:
better known than 89% of Sascha Braemer's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy43
Mood3Dark
Groove73
Acoustic0
Instrumental89
Live11
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
57%
Low
30-130 Hz
34%
Low-mid
130-570 Hz
9%
Upper-mid
570 Hz-2.5 kHz
0%
High
2.5-11 kHz

FAQ

What key is Matar in?

Matar by Sascha Braemer is in G major, or 9B on the Camelot wheel.

What BPM is Matar?

Matar runs at 122 BPM, a club-tempo track.

What mixes well with Matar?

From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.

Is Matar good for peak time?

With energy 43 out of 100 at 122 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

9B8B · 10B · 9A

From 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.

Every move from 9B

10BSimple Mix Upper
8BSimple Mix Downer
9ATonal Shift·
10ADiagonal Mix Upper
8ADiagonal Mix Downer
12ACompatible Tone·
11BHigh Energy Boost▲▲▲
7BHigh Energy Drain▼▼▼
12BParallel Key Upper▲▲
6BParallel Key Downer▼▼
4BTritone Jump▲▲
1BRelated Keyrisky

How to mix it

In 9B at 122 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.

Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 122 — beatmatch without a big tempo pull.

More tech house

More from Sascha Braemer

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track