Rej Senhor
- BPM
- 123
- Open Key
- 9d
- Energy
- 55/100
- Pop
- 24/100
- Length
- 7:34
- Released
- 2012
- Genre
- Tech House
- Loudness
- -10.4 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Rej Senhor: club-tempo tech house, A♭ major (4B), 123 BPM. The feel is dark and steady. The master keeps real dynamic headroom. A 2012 production that still circulates in sets. Better known than 96% of Sascha Braemer's catalogue. In a set it works best as a mid-set roller.
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Rej Senhor in?
Rej Senhor by Sascha Braemer is in A♭ major, or 4B on the Camelot wheel.
What BPM is Rej Senhor?
Rej Senhor runs at 123 BPM, a club-tempo track.
What mixes well with Rej Senhor?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Rej Senhor good for peak time?
With energy 55 out of 100 at 123 BPM, it works best as a mid-set roller.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 123 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More tech house
More from Sascha Braemer
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
