Brizzle by Oliver Schories cover art

30s preview

Key
8B · C major
BPM
123
Open Key
1d
Energy
55/100
Pop
0/100
Length
8:09
Released
2015
Album
Fields Without Fences
Genre
Tech House
Loudness
-9.9 dB
Dynamics
15.4 dB
ISRC
DEH741500319

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

At 123 BPM in C major (8B), Brizzle is a club-tempo tech house production. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps unusual dynamic range for club music (crest 15 dB). A 2015 production that still circulates in sets. More underground than 99% of Oliver Schories's catalogue. In a set it works best as a mid-set roller.

Low end:
more treble-tilted than 99% of Oliver Schories's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy55
Mood30Dark
Groove78
Acoustic5
Instrumental95
Live9
Speech7

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
24%
Low
30-130 Hz
35%
Low-mid
130-570 Hz
28%
Upper-mid
570 Hz-2.5 kHz
12%
High
2.5-11 kHz

FAQ

What key is Brizzle in?

Brizzle by Oliver Schories is in C major, or 8B on the Camelot wheel.

What BPM is Brizzle?

Brizzle runs at 123 BPM, a club-tempo track.

What mixes well with Brizzle?

From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.

Is Brizzle good for peak time?

With energy 55 out of 100 at 123 BPM, it works best as a mid-set roller.

Mixes harmonically

8B7B · 9B · 8A

From 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.

Every move from 8B

9BSimple Mix Upper
7BSimple Mix Downer
8ATonal Shift·
9ADiagonal Mix Upper
7ADiagonal Mix Downer
11ACompatible Tone·
10BHigh Energy Boost▲▲▲
6BHigh Energy Drain▼▼▼
11BParallel Key Upper▲▲
5BParallel Key Downer▼▼
3BTritone Jump▲▲
12BRelated Keyrisky

How to mix it

In 8B at 123 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.

Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 123 — beatmatch without a big tempo pull.

More tech house

More from Oliver Schories

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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