Working - Marcellus Pittman Remix
30s preview
- BPM
- 123
- Open Key
- 6m
- Energy
- 55/100
- Pop
- 0/100
- Length
- 7:06
- Released
- 2013
- Album
- Marcellus Pittman & Urban Tribe Remixes
- Genre
- Techno
- Loudness
- -13.2 dB
- Dynamics
- 16.9 dB
- ISRC
- GBLTF1200054
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Workingoriginal3A · 120
Against the original (3A at 120 BPM), this version runs 3 BPM faster and moves the key from 3A to 1A.
Working - Marcellus Pittman Remix runs 123 BPM in A♭ minor (1A), a club-tempo techno record. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 17 dB). A 2013 production that still circulates in sets. More underground than 99% of Nina Kraviz's catalogue.
- Brightness:
- darker than 89% of Nina Kraviz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Working - Marcellus Pittman Remix in?
Working - Marcellus Pittman Remix by Nina Kraviz is in A♭ minor, or 1A on the Camelot wheel.
What BPM is Working - Marcellus Pittman Remix?
Working - Marcellus Pittman Remix runs at 123 BPM, a club-tempo track.
What mixes well with Working - Marcellus Pittman Remix?
From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.
Is Working - Marcellus Pittman Remix good for peak time?
With energy 55 out of 100 at 123 BPM, it works best as a mid-set roller.
Mixes harmonically
1A → 12A · 2A · 1BFrom 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.
How to mix it
In 1A at 123 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More techno
More from Nina Kraviz
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
