Shibuya
30s preview
- BPM
- 123
- Open Key
- 5d
- Energy
- 56/100
- Pop
- 0/100
- Length
- 7:36
- Released
- 2009
- Genre
- Tech House
- Loudness
- -12.3 dB
- Dynamics
- 10.6 dB
- ISRC
- DEDL80801291
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 123 BPM in E major (12B), Shibuya is a club-tempo tech house production. Tonally it lands dark and steady. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2009 production that still circulates in sets. More underground than 99% of Namito's catalogue. In a set it works best as a mid-set roller.
- Low end:
- more bass-heavy than 98% of Namito's catalogue
- Brightness:
- darker than 82% of Namito's catalogue
- Groove:
- groovier than 78% of Namito's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 58%
- Low
- 30-130 Hz
- 34%
- Low-mid
- 130-570 Hz
- 9%
- Upper-mid
- 570 Hz-2.5 kHz
- 0%
- High
- 2.5-11 kHz
FAQ
What key is Shibuya in?
Shibuya by Namito is in E major, or 12B on the Camelot wheel.
What BPM is Shibuya?
Shibuya runs at 123 BPM, a club-tempo track.
What mixes well with Shibuya?
From 12B it blends harmonically with 1B, 12A, 11B. Moving to 1B lifts the energy a step.
Is Shibuya good for peak time?
With energy 56 out of 100 at 123 BPM, it works best as a mid-set roller.
Mixes harmonically
12B → 11B · 1B · 12AFrom 12B, 1B (B major) lifts the energy a step; 12A (D♭ minor) settles into the relative minor; 11B (A major) cools the energy down a step.
How to mix it
In 12B at 123 BPM: 1B (B major) — move to 1B to push the floor harder; 12A (D♭ minor) — switch to 12A for a mood change without losing the groove; 11B (A major) — drop to 11B to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7B rather than 12B; below -5% it reads as 5B. With key lock on, it stays 12B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More tech house
More from Namito
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
