Lost In Loving You by Sascha Braemer cover art

Lost In Loving You

Sascha Braemer

30s preview

Key
3A · B♭ minor
BPM
120
Open Key
8m
Energy
93/100
Pop
23/100
Length
3:54
Released
2025
Genre
Tech House
Loudness
-7.4 dB
Dynamics
9.1 dB
ISRC
NLF712500956

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Lost In Loving You is a club-tempo tech house track in B♭ minor (3A) at 120 BPM. It reads as dark and driving. Its spectrum is weighted to the sub and kick, with a heavy low end. Hotter than 98% of Sascha Braemer's catalogue. In a set it works best as a mid-set roller.

Reach:
better known than 95% of Sascha Braemer's catalogue
Tempo:
slower than 91% of Sascha Braemer's catalogue
Groove:
less groove-driven than 78% of Sascha Braemer's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy93
Mood16Dark
Groove68
Acoustic1
Instrumental38
Live12
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
36%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
21%
Upper-mid
570 Hz-2.5 kHz
14%
High
2.5-11 kHz

FAQ

What key is Lost In Loving You in?

Lost In Loving You by Sascha Braemer is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Lost In Loving You?

Lost In Loving You runs at 120 BPM, a club-tempo track.

What mixes well with Lost In Loving You?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Lost In Loving You good for peak time?

With energy 93 out of 100 at 120 BPM, it works best as a mid-set roller.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

#Track

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 120 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 120 — beatmatch without a big tempo pull.

More tech house

More from Sascha Braemer

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track