Cyclops - Tim Green Remix
30s preview
- BPM
- 120
- Open Key
- 7m
- Energy
- 92/100
- Pop
- 0/100
- Length
- 8:01
- Released
- 2022
- Album
- Cyclops (Tim Green Remix)
- Genre
- Tech House
- Loudness
- -8.4 dB
- Dynamics
- 24.5 dB
- ISRC
- GBJX32264717
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 120 BPM in E♭ minor (2A), Cyclops - Tim Green Remix is a club-tempo tech house production. Tonally it lands bright and euphoric. The groove is strong and floor-ready. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 25 dB). More underground than 99% of Tim Green's catalogue. In a set it works best as a floor-filler.
- Brightness:
- brighter than 95% of Tim Green's catalogue
- Tempo:
- slower than 94% of Tim Green's catalogue
- Energy:
- hotter than 93% of Tim Green's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 23%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 25%
- High
- 2.5-11 kHz
FAQ
What key is Cyclops - Tim Green Remix in?
Cyclops - Tim Green Remix by Tim Green is in E♭ minor, or 2A on the Camelot wheel.
What BPM is Cyclops - Tim Green Remix?
Cyclops - Tim Green Remix runs at 120 BPM, a club-tempo track.
What mixes well with Cyclops - Tim Green Remix?
From 2A it blends harmonically with 3A, 2B, 1A. Moving to 3A lifts the energy a step.
Is Cyclops - Tim Green Remix good for peak time?
With energy 92 out of 100 at 120 BPM, it works best as a floor-filler.
Mixes harmonically
2A → 1A · 3A · 2BFrom 2A, 3A (B♭ minor) lifts the energy a step; 2B (F♯ major) brightens to the relative major; 1A (A♭ minor) cools the energy down a step.
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How to mix it
In 2A at 120 BPM: 3A (B♭ minor) — move to 3A to push the floor harder; 2B (F♯ major) — switch to 2B for a mood change without losing the groove; 1A (A♭ minor) — drop to 1A to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9A rather than 2A; below -5% it reads as 7A. With key lock on, it stays 2A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More tech house
More from Tim Green
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
