Alma by Tim Engelhardt cover art

30s preview

Key
11B · A major
BPM
120
Open Key
4d
Energy
93/100
Pop
1/100
Length
7:33
Released
2018
Genre
Tech House
Loudness
-9.3 dB
Dynamics
11.3 dB
ISRC
DEL021820019

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Alma runs 120 BPM in A major (11B), a club-tempo tech house record. The feel is dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). A 2018 production that still circulates in sets. Hotter than 97% of Tim Engelhardt's catalogue.

Brightness:
darker than 97% of Tim Engelhardt's catalogue
Tempo:
slower than 96% of Tim Engelhardt's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy93
Mood4Dark
Groove80
Acoustic0
Instrumental85
Live10
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
39%
Low
30-130 Hz
30%
Low-mid
130-570 Hz
19%
Upper-mid
570 Hz-2.5 kHz
12%
High
2.5-11 kHz

FAQ

What key is Alma in?

Alma by Tim Engelhardt is in A major, or 11B on the Camelot wheel.

What BPM is Alma?

Alma runs at 120 BPM, a club-tempo track.

What mixes well with Alma?

From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.

Is Alma good for peak time?

With energy 93 out of 100 at 120 BPM, it works best as a floor-filler.

Mixes harmonically

11B10B · 12B · 11A

From 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.

Every move from 11B

12BSimple Mix Upper
10BSimple Mix Downer
11ATonal Shift·
12ADiagonal Mix Upper
10ADiagonal Mix Downer
2ACompatible Tone·
1BHigh Energy Boost▲▲▲
9BHigh Energy Drain▼▼▼
2BParallel Key Upper▲▲
8BParallel Key Downer▼▼
6BTritone Jump▲▲
3BRelated Keyrisky

How to mix it

In 11B at 120 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.

Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 120 — beatmatch without a big tempo pull.

More tech house

More from Tim Engelhardt

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track