Need U (100%) - Waze & Odyssey Remix
30s preview
- Key
- 1B · B major
- BPM
- 120
- Open Key
- 6d
- Energy
- 91/100
- Pop
- 0/100
- Length
- 6:28
- Released
- 2013
- Album
- Need U (100%) (Remixes)
- Genre
- House
- Loudness
- -10.4 dB
- Dynamics
- 11.0 dB
- ISRC
- GBCEN1300094
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Need U (100%) - Original Mixoriginal4A · 124
- Need U (100%) (feat. A*M*E) - Artful Bootleg Mixremix9A · 127
- Need U (100%) - Skreamixoriginal3A · 124
- Need U (100%) [feat. A*m*e] [Artful Bootleg Mix]remix4B · 124
- Need U (100%) (radio edit)version5A · 124
Against the original (4A at 124 BPM), this version runs 4 BPM slower and moves the key from 4A to 1B.
At 120 BPM in B major (1B), Need U (100%) - Waze & Odyssey Remix is a club-tempo house production. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 11 dB). A 2013 production that still circulates in sets. More underground than 99% of Duke Dumont's catalogue. In a set it works best as a floor-filler.
- Low end:
- more bass-heavy than 94% of Duke Dumont's catalogue
- Tempo:
- slower than 90% of Duke Dumont's catalogue
- Energy:
- hotter than 86% of Duke Dumont's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Need U (100%) - Waze & Odyssey Remix in?
Need U (100%) - Waze & Odyssey Remix by Duke Dumont is in B major, or 1B on the Camelot wheel.
What BPM is Need U (100%) - Waze & Odyssey Remix?
Need U (100%) - Waze & Odyssey Remix runs at 120 BPM, a club-tempo track.
What mixes well with Need U (100%) - Waze & Odyssey Remix?
From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.
Is Need U (100%) - Waze & Odyssey Remix good for peak time?
With energy 91 out of 100 at 120 BPM, it works best as a floor-filler.
Mixes harmonically
1B → 12B · 2B · 1AFrom 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.
![Hyperreal (Middle of the Night) [feat. Robinson] - Extended by Nora En Pure cover art](https://i.scdn.co/image/ab67616d00001e02be091aa101cbe817492e30da){kind=small}
How to mix it
In 1B at 120 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More house
More from Duke Dumont
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
