Come With Me
30s preview
- BPM
- 89
- Double-time
- 178
- Open Key
- 5m
- Energy
- 18/100
- Pop
- 23/100
- Length
- 6:34
- Released
- 2024
- Genre
- Downtempo
- Loudness
- -22.5 dB
- Dynamics
- 20.0 dB
- ISRC
- GBW240000036
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A downtempo downtempo cut, Come With Me sits in D♭ minor (12A) at 89 BPM. The feel is brooding and low-slung. It leans atmospheric over strictly danceable. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 20 dB). More treble-tilted than 99% of Röyksopp's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Brightness:
- darker than 94% of Röyksopp's catalogue
- Energy:
- calmer than 93% of Röyksopp's catalogue
- Tempo:
- slower than 91% of Röyksopp's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 8%
- Low
- 30-130 Hz
- 38%
- Low-mid
- 130-570 Hz
- 35%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Come With Me in?
Come With Me by Röyksopp is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Come With Me?
Come With Me runs at 89 BPM, a downtempo track.
What mixes well with Come With Me?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Come With Me good for peak time?
With energy 18 out of 100 at 89 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 89 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 84-94 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 89 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 89 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
