![What Else Is There? [True Electric] by Röyksopp cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/560ee8411a5aa0fcf571.webp)
What Else Is There? [True Electric]
30s preview
- BPM
- 123
- Open Key
- 4m
- Energy
- 67/100
- Pop
- 37/100
- Length
- 6:16
- Released
- 2025
- Genre
- Progressive House
- Label
- Dog Triumph
- Loudness
- -6.4 dB
- Dynamics
- 12.6 dB
- ISRC
- GBW240000014
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- What Else Is There? - andhim Remixremix12A · 122
- What Else Is There? - Jennifer Loveless Collage of Time Remixremix11B · 118
- What Else Is There? - ARTBAT Remixremix12A · 124
- What Else Is There? - ARTBAT Remix Editremix12A · 124
- What Else Is There? - Mark Stagg Radio Editversion11B · 115
- What Else Is There? - Wh0 Remixremix12A · 125
What Else Is There? [True Electric] runs 123 BPM in F♯ minor (11A), a club-tempo progressive house record. The feel is punchy, neutral in mood. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). Better known than 95% of Röyksopp's catalogue.
- Groove:
- less groove-driven than 79% of Röyksopp's catalogue
- Low end:
- more bass-heavy than 76% of Röyksopp's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is What Else Is There? [True Electric] in?
What Else Is There? [True Electric] by Röyksopp is in F♯ minor, or 11A on the Camelot wheel.
What BPM is What Else Is There? [True Electric]?
What Else Is There? [True Electric] runs at 123 BPM, a club-tempo track.
What mixes well with What Else Is There? [True Electric]?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is What Else Is There? [True Electric] good for peak time?
With energy 67 out of 100 at 123 BPM, it works best as a mid-set roller.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 123 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
![Cappadocia [live] by Ben Böhmer cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/e505795e63decba0f1a1.webp){kind=small}
More progressive house
More from Röyksopp
Full profile
![Running to the Sea [True Electric] by Röyksopp cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/64b848dce166c205ea2f.webp){kind=small}
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
