What Else Is There? - Mark Stagg Radio Edit
30s preview
- BPM
- 115
- Open Key
- 4d
- Energy
- 93/100
- Pop
- 34/100
- Length
- 3:39
- Released
- 2005
- Album
- What Else Is There?
- Genre
- House
- Label
- Wall Of Sound
- Loudness
- -4.1 dB
- Dynamics
- 11.4 dB
- ISRC
- FRS940500113
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- What Else Is There? - andhim Remixremix12A · 122
- What Else Is There? - Jennifer Loveless Collage of Time Remixremix11B · 118
- What Else Is There? [True Electric]original11A · 123
- What Else Is There? - ARTBAT Remixremix12A · 124
- What Else Is There? - ARTBAT Remix Editremix12A · 124
- What Else Is There? - Wh0 Remixremix12A · 125
Against the original (11A at 123 BPM), this version runs 8 BPM slower and moves the key from 11A to 11B.
What Else Is There? - Mark Stagg Radio Edit is a mid-tempo house track in A major (11B) at 115 BPM. The feel is punchy, neutral in mood. It is vocal-led. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 11 dB). A 2005 production that still circulates in sets. Better known than 92% of Röyksopp's catalogue. For programming, treat it as a mid-set roller.
- Low end:
- more treble-tilted than 90% of Röyksopp's catalogue
- Energy:
- hotter than 88% of Röyksopp's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 29%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is What Else Is There? - Mark Stagg Radio Edit in?
What Else Is There? - Mark Stagg Radio Edit by Röyksopp is in A major, or 11B on the Camelot wheel.
What BPM is What Else Is There? - Mark Stagg Radio Edit?
What Else Is There? - Mark Stagg Radio Edit runs at 115 BPM, a mid-tempo track.
What mixes well with What Else Is There? - Mark Stagg Radio Edit?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is What Else Is There? - Mark Stagg Radio Edit good for peak time?
With energy 93 out of 100 at 115 BPM, it works best as a mid-set roller.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 115 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 108-122 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 115 — beatmatch without a big tempo pull.
![Impossible [True Electric] by Röyksopp cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/2dc855271f39a7c365d9.webp){kind=small}
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![Running to the Sea [True Electric] by Röyksopp cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/64b848dce166c205ea2f.webp){kind=small}
![What Else Is There? [True Electric] by Röyksopp cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/560ee8411a5aa0fcf571.webp){kind=small}
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 115 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
