We Left - SymbolOne Remix
- Key
- 8A · A minor
- BPM
- 117
- Open Key
- 1m
- Energy
- 88/100
- Pop
- 0/100
- Length
- 4:40
- Released
- 2011
- Album
- We Left
- Genre
- Dance Pop
- Loudness
- -5.4 dB
- ISRC
- FR6V80555881
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- We Leftoriginal8B · 124
- We Leftoriginal8B · 124
- We Left (Night Version)original8A · 120
- We Left - Beaumont Remixremix8B · 128
- We Left - Broke One Remixremix10B · 120
- We Left - Extended Mixversion7A · 124
Against the original (8B at 124 BPM), this version runs 7 BPM slower and moves the key from 8B to 8A.
At 117 BPM in A minor (8A), We Left - SymbolOne Remix is a mid-tempo dance pop production. The feel is punchy, neutral in mood. It is vocal-led. A 2011 production that still circulates in sets. More underground than 99% of Rufus Du Sol's catalogue.
- Tempo:
- slower than 96% of Rufus Du Sol's catalogue
- Energy:
- hotter than 86% of Rufus Du Sol's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is We Left - SymbolOne Remix in?
We Left - SymbolOne Remix by Rufus Du Sol is in A minor, or 8A on the Camelot wheel.
What BPM is We Left - SymbolOne Remix?
We Left - SymbolOne Remix runs at 117 BPM, a mid-tempo track.
What mixes well with We Left - SymbolOne Remix?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is We Left - SymbolOne Remix good for peak time?
With energy 88 out of 100 at 117 BPM, it works best as a mid-set roller.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 117 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 110-124 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 117 — beatmatch without a big tempo pull.
More dance pop
More from Rufus Du Sol
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 117 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
