Shake That - Jesse Rose Re-edit
30s preview
- BPM
- 117
- Open Key
- 8d
- Energy
- 88/100
- Pop
- 7/100
- Length
- 5:34
- Released
- 2014
- Album
- Shake That (Remixes)
- Genre
- House
- Loudness
- -5.5 dB
- Dynamics
- 14.6 dB
- ISRC
- GBQ5W1300015
- Explicit
- Yes
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Shake Thatoriginal9B · 117
- Shake That - Blonde Remixremix8A · 124
- Shake That - Mark Knight Remixremix6B · 126
- Shake That - Tom Staar Remix; Radio Editremix9B · 128
- Shake That - Shadow Child Remixremix2A · 125
- Shake That - Oliver $ Remixremix10A · 122
Against the original (9B at 117 BPM), this version holds the same tempo and moves the key from 9B to 3B.
Shake That - Jesse Rose Re-edit is a mid-tempo house track in D♭ major (3B) at 117 BPM. It is vocal-led. The master keeps unusual dynamic range for club music (crest 15 dB). A 2014 production that still circulates in sets. Slower than 98% of Marlon Hoffstadt's catalogue.
- Groove:
- groovier than 96% of Marlon Hoffstadt's catalogue
- Brightness:
- darker than 80% of Marlon Hoffstadt's catalogue
- Low end:
- more treble-tilted than 78% of Marlon Hoffstadt's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 30%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 20%
- High
- 2.5-11 kHz
FAQ
What key is Shake That - Jesse Rose Re-edit in?
Shake That - Jesse Rose Re-edit by Marlon Hoffstadt is in D♭ major, or 3B on the Camelot wheel.
What BPM is Shake That - Jesse Rose Re-edit?
Shake That - Jesse Rose Re-edit runs at 117 BPM, a mid-tempo track.
What mixes well with Shake That - Jesse Rose Re-edit?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Shake That - Jesse Rose Re-edit good for peak time?
With energy 88 out of 100 at 117 BPM, it works best as a floor-filler.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 117 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 110-124 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 117 — beatmatch without a big tempo pull.
More house
More from Marlon Hoffstadt
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 117 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
