Shake That - Mark Knight Remix
30s preview
- BPM
- 126
- Open Key
- 11d
- Energy
- 94/100
- Pop
- 16/100
- Length
- 6:37
- Released
- 2014
- Album
- Shake That (Mark Knight Remix)
- Genre
- House
- Loudness
- -5.5 dB
- Dynamics
- 12.2 dB
- ISRC
- GBQ5W1400027
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Shake Thatoriginal9B · 117
- Shake That - Blonde Remixremix8A · 124
- Shake That - Tom Staar Remix; Radio Editremix9B · 128
- Shake That - Shadow Child Remixremix2A · 125
- Shake That - Jesse Rose Re-editversion3B · 117
- Shake That - Oliver $ Remixremix10A · 122
Against the original (9B at 117 BPM), this version runs 9 BPM faster and moves the key from 9B to 6B.
A club-tempo house cut, Shake That - Mark Knight Remix sits in B♭ major (6B) at 126 BPM. The feel is dark and driving. Rhythmically it is built for the dancefloor. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2014 production that still circulates in sets. Darker than 98% of Marlon Hoffstadt's catalogue. In a set it works best as a peak-time weapon.
- Groove:
- groovier than 80% of Marlon Hoffstadt's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Shake That - Mark Knight Remix in?
Shake That - Mark Knight Remix by Marlon Hoffstadt is in B♭ major, or 6B on the Camelot wheel.
What BPM is Shake That - Mark Knight Remix?
Shake That - Mark Knight Remix runs at 126 BPM, a club-tempo track.
What mixes well with Shake That - Mark Knight Remix?
From 6B it blends harmonically with 7B, 6A, 5B. Moving to 7B lifts the energy a step.
Is Shake That - Mark Knight Remix good for peak time?
With energy 94 out of 100 at 126 BPM, it works best as a peak-time weapon.
Mixes harmonically
6B → 5B · 7B · 6AFrom 6B, 7B (F major) lifts the energy a step; 6A (G minor) settles into the relative minor; 5B (E♭ major) cools the energy down a step.
How to mix it
In 6B at 126 BPM: 7B (F major) — move to 7B to push the floor harder; 6A (G minor) — switch to 6A for a mood change without losing the groove; 5B (E♭ major) — drop to 5B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1B rather than 6B; below -5% it reads as 11B. With key lock on, it stays 6B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 94/100).
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More house
More from Marlon Hoffstadt
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
