Chromophobia by Gui Boratto cover art

Chromophobia

Gui Boratto

30s preview

Key
10B · D major
BPM
126
Open Key
3d
Energy
93/100
Pop
0/100
Length
7:11
Released
2007
Genre
Tech House
Loudness
-7.7 dB
Dynamics
11.6 dB
ISRC
DEU670600113

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Chromophobia runs 126 BPM in D major (10B), a club-tempo tech house record. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2007 production that still circulates in sets. More underground than 99% of Gui Boratto's catalogue. For programming, treat it as a peak-time weapon.

Energy:
hotter than 94% of Gui Boratto's catalogue
Groove:
groovier than 82% of Gui Boratto's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy93
Mood23Dark
Groove81
Acoustic13
Instrumental94
Live8
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
35%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
14%
High
2.5-11 kHz

FAQ

What key is Chromophobia in?

Chromophobia by Gui Boratto is in D major, or 10B on the Camelot wheel.

What BPM is Chromophobia?

Chromophobia runs at 126 BPM, a club-tempo track.

What mixes well with Chromophobia?

From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.

Is Chromophobia good for peak time?

With energy 93 out of 100 at 126 BPM, it works best as a peak-time weapon.

Mixes harmonically

10B9B · 11B · 10A

From 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.

Every move from 10B

11BSimple Mix Upper
9BSimple Mix Downer
10ATonal Shift·
11ADiagonal Mix Upper
9ADiagonal Mix Downer
1ACompatible Tone·
12BHigh Energy Boost▲▲▲
8BHigh Energy Drain▼▼▼
1BParallel Key Upper▲▲
7BParallel Key Downer▼▼
5BTritone Jump▲▲
2BRelated Keyrisky

How to mix it

In 10B at 126 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.

Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 93/100).

Similar tempo

Within ±3 BPM of 126 — beatmatch without a big tempo pull.

More tech house

#Track

More from Gui Boratto

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track