We Want More by Marlon Hoffstadt cover art

We Want More

Marlon Hoffstadt

30s preview

Key
10A · B minor
BPM
149
Half-time
75
Open Key
3m
Energy
94/100
Pop
54/100
Length
2:53
Released
2024
Genre
Techno
Loudness
-5.3 dB
Dynamics
10.2 dB
ISRC
DEKF22400980

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

We Want More: fast techno, B minor (10A), 149 BPM. Tonally it lands bright and euphoric. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Better known than 95% of Marlon Hoffstadt's catalogue. For programming, treat it as a high-intensity peak cut.

Tempo:
faster than 87% of Marlon Hoffstadt's catalogue
Energy:
hotter than 77% of Marlon Hoffstadt's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy94
Mood74Bright
Groove68
Acoustic0
Instrumental79
Live4
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
35%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
21%
Upper-mid
570 Hz-2.5 kHz
17%
High
2.5-11 kHz

FAQ

What key is We Want More in?

We Want More by Marlon Hoffstadt is in B minor, or 10A on the Camelot wheel.

What BPM is We Want More?

We Want More runs at 149 BPM, a fast track.

What mixes well with We Want More?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is We Want More good for peak time?

With energy 94 out of 100 at 149 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

#Track

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 149 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 140-158 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 149 — beatmatch without a big tempo pull.

More techno

More from Marlon Hoffstadt

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 149 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track