Losing Control by Marlon Hoffstadt cover art

Losing Control

Marlon Hoffstadt

30s preview

Key
4A · F minor
BPM
148
Half-time
74
Open Key
9m
Energy
95/100
Pop
70/100
Length
2:50
Released
2025
Genre
Techno
Loudness
-5.2 dB
Dynamics
14.6 dB
ISRC
USUG12505959

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Losing Control is a fast techno track in F minor (4A) at 148 BPM. The feel is bright and euphoric. The master keeps unusual dynamic range for club music (crest 15 dB). Better known than 98% of Marlon Hoffstadt's catalogue. In a set it works best as a high-intensity peak cut.

Low end:
more treble-tilted than 86% of Marlon Hoffstadt's catalogue
Tempo:
faster than 84% of Marlon Hoffstadt's catalogue
Energy:
hotter than 78% of Marlon Hoffstadt's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy95
Mood68Bright
Groove66
Acoustic1
Instrumental68
Live33
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
26%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
25%
Upper-mid
570 Hz-2.5 kHz
20%
High
2.5-11 kHz

FAQ

What key is Losing Control in?

Losing Control by Marlon Hoffstadt is in F minor, or 4A on the Camelot wheel.

What BPM is Losing Control?

Losing Control runs at 148 BPM, a fast track.

What mixes well with Losing Control?

From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.

Is Losing Control good for peak time?

With energy 95 out of 100 at 148 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

4A3A · 5A · 4B

From 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.

Every move from 4A

5ASimple Mix Upper
3ASimple Mix Downer
4BTonal Shift·
5BDiagonal Mix Upper
3BDiagonal Mix Downer
1BCompatible Tone·
6AHigh Energy Boost▲▲▲
2AHigh Energy Drain▼▼▼
7AParallel Key Upper▲▲
1AParallel Key Downer▼▼
11ATritone Jump▲▲
8ARelated Keyrisky

How to mix it

In 4A at 148 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.

Pitch range at ±6%: 139-157 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 148 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 148 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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