We Contain Multitudes by Olafur Arnalds cover art

We Contain Multitudes

Olafur Arnalds

30s preview

Key
2B · F♯ major
BPM
89
Double-time
178
Open Key
7d
Energy
3/100
Pop
25/100
Length
3:25
Released
2020
Genre
Downtempo
Loudness
-31.0 dB
Dynamics
18.2 dB
ISRC
GBBBC2100014

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

We Contain Multitudes is a downtempo downtempo track in F♯ major (2B) at 89 BPM. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 18 dB). Calmer than 82% of Olafur Arnalds's catalogue. In a set it works best as a warm-up or breakdown cut.

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy3
Mood16Dark
Groove26
Acoustic99
Instrumental94
Live14
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
31%
Low
30-130 Hz
50%
Low-mid
130-570 Hz
18%
Upper-mid
570 Hz-2.5 kHz
0%
High
2.5-11 kHz

FAQ

What key is We Contain Multitudes in?

We Contain Multitudes by Olafur Arnalds is in F♯ major, or 2B on the Camelot wheel.

What BPM is We Contain Multitudes?

We Contain Multitudes runs at 89 BPM, a downtempo track.

What mixes well with We Contain Multitudes?

From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.

Is We Contain Multitudes good for peak time?

With energy 3 out of 100 at 89 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

2B1B · 3B · 2A

From 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.

#Track

Every move from 2B

3BSimple Mix Upper
1BSimple Mix Downer
2ATonal Shift·
3ADiagonal Mix Upper
1ADiagonal Mix Downer
5ACompatible Tone·
4BHigh Energy Boost▲▲▲
12BHigh Energy Drain▼▼▼
5BParallel Key Upper▲▲
11BParallel Key Downer▼▼
9BTritone Jump▲▲
6BRelated Keyrisky

How to mix it

In 2B at 89 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.

Pitch range at ±6%: 84-94 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 89 — beatmatch without a big tempo pull.

More downtempo

More from Olafur Arnalds

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 89 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track