Dawn
30s preview
- Key
- 5A · C minor
- BPM
- 67
- Double-time
- 134
- Open Key
- 10m
- Energy
- 21/100
- Pop
- 14/100
- Length
- 1:58
- Released
- 2010
- Album
- Monsters (Original Motion Picture Soundtrack)
- Genre
- Downtempo
- Label
- Double Six
- Loudness
- -17.0 dB
- Dynamics
- 14.3 dB
- ISRC
- GBCEL1000790
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Dawnoriginal10B · 85
Dawn: downtempo, C minor (5A), 67 BPM. The feel is brooding and low-slung. The groove is loose and less beat-driven. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). A 2010 production that still circulates in sets. Slower than 95% of Jon Hopkins's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Groove:
- less groove-driven than 89% of Jon Hopkins's catalogue
- Brightness:
- darker than 83% of Jon Hopkins's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 10%
- High
- 2.5-11 kHz
FAQ
What key is Dawn in?
Dawn by Jon Hopkins is in C minor, or 5A on the Camelot wheel.
What BPM is Dawn?
Dawn runs at 67 BPM.
What mixes well with Dawn?
From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.
Is Dawn good for peak time?
With energy 21 out of 100 at 67 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
5A → 4A · 6A · 5BFrom 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.
How to mix it
In 5A at 67 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.
Pitch range at ±6%: 63-71 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 67 — beatmatch without a big tempo pull.
More downtempo
More from Jon Hopkins
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 67 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
