The Bottom Line - Live From Home
30s preview
- BPM
- 133
- Open Key
- 8d
- Energy
- 11/100
- Pop
- 20/100
- Length
- 4:08
- Released
- 2021
- Album
- The Bottom Line (Live From Home)
- Genre
- Downtempo
- Loudness
- -12.3 dB
- Dynamics
- 16.5 dB
- ISRC
- GBUM72108416
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- The Bottom Line - Sunrise Session IIoriginal3B · 89
- The Bottom Lineoriginal3B · 132
Against the original (3B at 89 BPM), this version runs 44 BPM faster in the same key.
A peak-time tempo downtempo cut, The Bottom Line - Live From Home sits in D♭ major (3B) at 133 BPM. The feel is brooding and low-slung. It leans atmospheric over strictly danceable. It is vocal-led. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 17 dB). More treble-tilted than 78% of Olafur Arnalds's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Tempo:
- faster than 76% of Olafur Arnalds's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 25%
- Low
- 30-130 Hz
- 36%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is The Bottom Line - Live From Home in?
The Bottom Line - Live From Home by Olafur Arnalds is in D♭ major, or 3B on the Camelot wheel.
What BPM is The Bottom Line - Live From Home?
The Bottom Line - Live From Home runs at 133 BPM, a peak-time tempo track.
What mixes well with The Bottom Line - Live From Home?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is The Bottom Line - Live From Home good for peak time?
With energy 11 out of 100 at 133 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 133 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 125-141 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 133 — beatmatch without a big tempo pull.
More downtempo
More from Olafur Arnalds
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 133 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
