...og lengra - Orchestral Version
30s preview
- Key
- 4A · F minor
- BPM
- 129
- Open Key
- 9m
- Energy
- 16/100
- Pop
- 22/100
- Length
- 3:49
- Released
- 2019
- Album
- ...og lengra (Orchestral Version)
- Genre
- Downtempo
- Loudness
- -18.9 dB
- Dynamics
- 15.1 dB
- ISRC
- GBUM71805328
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- ...Og Lengraoriginal6A · 79
...og lengra - Orchestral Version runs 129 BPM in F minor (4A), a peak-time tempo downtempo record. Tonally it lands brooding and low-slung. It leans atmospheric over strictly danceable. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 15 dB). More bass-heavy than 97% of Olafur Arnalds's catalogue. In a set it works best as a warm-up or breakdown cut.
- Brightness:
- darker than 82% of Olafur Arnalds's catalogue
- Groove:
- less groove-driven than 79% of Olafur Arnalds's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 47%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 2%
- High
- 2.5-11 kHz
FAQ
What key is ...og lengra - Orchestral Version in?
...og lengra - Orchestral Version by Olafur Arnalds is in F minor, or 4A on the Camelot wheel.
What BPM is ...og lengra - Orchestral Version?
...og lengra - Orchestral Version runs at 129 BPM, a peak-time tempo track.
What mixes well with ...og lengra - Orchestral Version?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is ...og lengra - Orchestral Version good for peak time?
With energy 16 out of 100 at 129 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 129 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 121-137 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 129 — beatmatch without a big tempo pull.
More downtempo
More from Olafur Arnalds
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 129 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
