The Invisible Front
30s preview
- BPM
- 126
- Open Key
- 10d
- Energy
- 2/100
- Pop
- 17/100
- Length
- 3:24
- Released
- 2021
- Genre
- Downtempo
- Label
- Not On Label (Ólafur Arnalds Self-released)
- Loudness
- -28.4 dB
- Dynamics
- 17.9 dB
- ISRC
- GBBBC2100031
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 126 BPM in E♭ major (5B), The Invisible Front is a club-tempo downtempo production. Tonally it lands brooding and low-slung. It leans atmospheric over strictly danceable. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 18 dB). Calmer than 89% of Olafur Arnalds's catalogue. In a set it works best as a warm-up or breakdown cut.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 27%
- Low
- 30-130 Hz
- 45%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 5%
- High
- 2.5-11 kHz
FAQ
What key is The Invisible Front in?
The Invisible Front by Olafur Arnalds is in E♭ major, or 5B on the Camelot wheel.
What BPM is The Invisible Front?
The Invisible Front runs at 126 BPM, a club-tempo track.
What mixes well with The Invisible Front?
From 5B it blends harmonically with 6B, 5A, 4B. Moving to 6B lifts the energy a step.
Is The Invisible Front good for peak time?
With energy 2 out of 100 at 126 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
5B → 4B · 6B · 5AFrom 5B, 6B (B♭ major) lifts the energy a step; 5A (C minor) settles into the relative minor; 4B (A♭ major) cools the energy down a step.
How to mix it
In 5B at 126 BPM: 6B (B♭ major) — move to 6B to push the floor harder; 5A (C minor) — switch to 5A for a mood change without losing the groove; 4B (A♭ major) — drop to 4B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12B rather than 5B; below -5% it reads as 10B. With key lock on, it stays 5B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More downtempo
More from Olafur Arnalds
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
