Regenzeit by Aparde cover art

Regenzeit

Aparde

Key
9B · G major
BPM
126
Open Key
2d
Energy
27/100
Pop
0/100
Length
10:10
Released
2012
Album
MMXII
Genre
Downtempo
Loudness
-16.7 dB
ISRC
DEZ651710828

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 126 BPM in G major (9B), Regenzeit is a club-tempo downtempo production. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2012 production that still circulates in sets. More underground than 99% of Aparde's catalogue.

Energy:
calmer than 86% of Aparde's catalogue
Tempo:
faster than 78% of Aparde's catalogue
Groove:
groovier than 78% of Aparde's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy27
Mood22Dark
Groove79
Acoustic0
Instrumental85
Live11
Speech8

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Regenzeit in?

Regenzeit by Aparde is in G major, or 9B on the Camelot wheel.

What BPM is Regenzeit?

Regenzeit runs at 126 BPM, a club-tempo track.

What mixes well with Regenzeit?

From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.

Is Regenzeit good for peak time?

With energy 27 out of 100 at 126 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

9B8B · 10B · 9A

From 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.

#Track

Every move from 9B

10BSimple Mix Upper
8BSimple Mix Downer
9ATonal Shift·
10ADiagonal Mix Upper
8ADiagonal Mix Downer
12ACompatible Tone·
11BHigh Energy Boost▲▲▲
7BHigh Energy Drain▼▼▼
12BParallel Key Upper▲▲
6BParallel Key Downer▼▼
4BTritone Jump▲▲
1BRelated Keyrisky

How to mix it

In 9B at 126 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.

Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 126 — beatmatch without a big tempo pull.

#Track

More downtempo

#Track

More from Aparde

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track