Heiligendamm by Kollektiv Turmstrasse cover art
Key
10B · D major
BPM
127
Open Key
3d
Energy
48/100
Pop
0/100
Length
8:35
Released
2006
Genre
Minimal
Loudness
-11.9 dB
ISRC
DEZ650707114

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Heiligendamm runs 127 BPM in D major (10B), a peak-time tempo minimal record. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2006 production that still circulates in sets. Darker than 99% of Kollektiv Turmstrasse's catalogue. In a set it works best as a mid-set roller.

Reach:
more underground than 99% of Kollektiv Turmstrasse's catalogue
Groove:
groovier than 79% of Kollektiv Turmstrasse's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy48
Mood3Dark
Groove81
Acoustic1
Instrumental91
Live11
Speech6

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Heiligendamm in?

Heiligendamm by Kollektiv Turmstrasse is in D major, or 10B on the Camelot wheel.

What BPM is Heiligendamm?

Heiligendamm runs at 127 BPM, a peak-time tempo track.

What mixes well with Heiligendamm?

From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.

Is Heiligendamm good for peak time?

With energy 48 out of 100 at 127 BPM, it works best as a mid-set roller.

Mixes harmonically

10B9B · 11B · 10A

From 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.

Every move from 10B

11BSimple Mix Upper
9BSimple Mix Downer
10ATonal Shift·
11ADiagonal Mix Upper
9ADiagonal Mix Downer
1ACompatible Tone·
12BHigh Energy Boost▲▲▲
8BHigh Energy Drain▼▼▼
1BParallel Key Upper▲▲
7BParallel Key Downer▼▼
5BTritone Jump▲▲
2BRelated Keyrisky

How to mix it

In 10B at 127 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.

Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 127 — beatmatch without a big tempo pull.

More minimal

#Track

More from Kollektiv Turmstrasse

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track