On A Train - Big Room Dub
30s preview
- BPM
- 127
- Open Key
- 11d
- Energy
- 47/100
- Pop
- 0/100
- Length
- 7:41
- Released
- 2010
- Album
- On a Train
- Genre
- Techno
- Loudness
- -10.7 dB
- Dynamics
- 13.6 dB
- ISRC
- DEU671001628
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- On A Trainoriginal8A · 127
- On A Train - Big Room Vocal Mixoriginal6B · 127
- On A Train - Werner Niedermeier Remixremix11A · 127
Against the original (8A at 127 BPM), this version holds the same tempo and moves the key from 8A to 6B.
A peak-time tempo techno cut, On A Train - Big Room Dub sits in B♭ major (6B) at 127 BPM. Tonally it lands dark and steady. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). A 2010 production that still circulates in sets. Groovier than 99% of Pig&Dan's catalogue. For programming, treat it as a mid-set roller.
- Reach:
- more underground than 99% of Pig&Dan's catalogue
- Energy:
- calmer than 95% of Pig&Dan's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is On A Train - Big Room Dub in?
On A Train - Big Room Dub by Pig&Dan is in B♭ major, or 6B on the Camelot wheel.
What BPM is On A Train - Big Room Dub?
On A Train - Big Room Dub runs at 127 BPM, a peak-time tempo track.
What mixes well with On A Train - Big Room Dub?
From 6B it blends harmonically with 7B, 6A, 5B. Moving to 7B lifts the energy a step.
Is On A Train - Big Room Dub good for peak time?
With energy 47 out of 100 at 127 BPM, it works best as a mid-set roller.
Mixes harmonically
6B → 5B · 7B · 6AFrom 6B, 7B (F major) lifts the energy a step; 6A (G minor) settles into the relative minor; 5B (E♭ major) cools the energy down a step.
How to mix it
In 6B at 127 BPM: 7B (F major) — move to 7B to push the floor harder; 6A (G minor) — switch to 6A for a mood change without losing the groove; 5B (E♭ major) — drop to 5B to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1B rather than 6B; below -5% it reads as 11B. With key lock on, it stays 6B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More techno
More from Pig&Dan
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
