Behind The Mirror - Original Mix
30s preview
- BPM
- 127
- Open Key
- 6m
- Energy
- 47/100
- Pop
- 0/100
- Length
- 6:18
- Released
- 2011
- Album
- Behind The Mirror (Remixed)
- Genre
- Progressive House
- Loudness
- -9.5 dB
- Dynamics
- 14.9 dB
- ISRC
- US83Z1107926
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Behind The Mirror - Original Mixoriginal1A · 127
- Behind The Mirror - Kyohei Akagawa Remixremix2A · 127
- Behind The Mirror - Shingo Nakamura Remixremix2B · 127
A peak-time tempo progressive house cut, Behind The Mirror - Original Mix sits in A♭ minor (1A) at 127 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 15 dB). A 2011 production that still circulates in sets. More underground than 99% of Kobana's catalogue.
- Energy:
- calmer than 87% of Kobana's catalogue
- Tempo:
- faster than 79% of Kobana's catalogue
- Low end:
- more treble-tilted than 76% of Kobana's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Behind The Mirror - Original Mix in?
Behind The Mirror - Original Mix by Kobana is in A♭ minor, or 1A on the Camelot wheel.
What BPM is Behind The Mirror - Original Mix?
Behind The Mirror - Original Mix runs at 127 BPM, a peak-time tempo track.
What mixes well with Behind The Mirror - Original Mix?
From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.
Is Behind The Mirror - Original Mix good for peak time?
With energy 47 out of 100 at 127 BPM, it works best as a mid-set roller.
Mixes harmonically
1A → 12A · 2A · 1BFrom 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.
How to mix it
In 1A at 127 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
