Collider by Patrice Bäumel cover art

30s preview

Key
9B · G major
BPM
127
Open Key
2d
Energy
44/100
Pop
15/100
Length
2:16
Released
2019
Genre
Tech House
Loudness
-17.7 dB
Dynamics
10.8 dB
ISRC
GBHFW1800267

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A peak-time tempo tech house cut, Collider sits in G major (9B) at 127 BPM. It reads as dark and steady. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. Darker than 95% of Patrice Bäumel's catalogue. For programming, treat it as a warm-up or breakdown cut.

Energy:
calmer than 94% of Patrice Bäumel's catalogue
Reach:
better known than 79% of Patrice Bäumel's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy44
Mood4Dark
Groove75
Acoustic0
Instrumental94
Live11
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
44%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
16%
Upper-mid
570 Hz-2.5 kHz
13%
High
2.5-11 kHz

FAQ

What key is Collider in?

Collider by Patrice Bäumel is in G major, or 9B on the Camelot wheel.

What BPM is Collider?

Collider runs at 127 BPM, a peak-time tempo track.

What mixes well with Collider?

From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.

Is Collider good for peak time?

With energy 44 out of 100 at 127 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

9B8B · 10B · 9A

From 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.

Every move from 9B

10BSimple Mix Upper
8BSimple Mix Downer
9ATonal Shift·
10ADiagonal Mix Upper
8ADiagonal Mix Downer
12ACompatible Tone·
11BHigh Energy Boost▲▲▲
7BHigh Energy Drain▼▼▼
12BParallel Key Upper▲▲
6BParallel Key Downer▼▼
4BTritone Jump▲▲
1BRelated Keyrisky

How to mix it

In 9B at 127 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.

Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 127 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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