Slammin' (Acapella)
30s preview
- Key
- 7B · F major
- BPM
- 127
- Open Key
- 12d
- Energy
- 45/100
- Pop
- 2/100
- Length
- 2:53
- Released
- 2004
- Album
- Slammin`
- Genre
- House
- Label
- Feel The Rhythm
- Loudness
- -18.5 dB
- Dynamics
- 19.0 dB
- ISRC
- CH4880604503
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Slammin'original10A · 127
- Slammin' (Axwell Remix)remix2B · 127
Slammin' (Acapella) runs 127 BPM in F major (7B), a peak-time tempo house record. Tonally it lands bright and easy. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 19 dB). A 2004 production that still circulates in sets. More treble-tilted than 99% of Eric Prydz's catalogue. For programming, treat it as a mid-set roller.
- Energy:
- calmer than 97% of Eric Prydz's catalogue
- Brightness:
- brighter than 91% of Eric Prydz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 16%
- Low
- 30-130 Hz
- 38%
- Low-mid
- 130-570 Hz
- 33%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Slammin' (Acapella) in?
Slammin' (Acapella) by Eric Prydz is in F major, or 7B on the Camelot wheel.
What BPM is Slammin' (Acapella)?
Slammin' (Acapella) runs at 127 BPM, a peak-time tempo track.
What mixes well with Slammin' (Acapella)?
From 7B it blends harmonically with 8B, 7A, 6B. Moving to 8B lifts the energy a step.
Is Slammin' (Acapella) good for peak time?
With energy 45 out of 100 at 127 BPM, it works best as a mid-set roller.
Mixes harmonically
7B → 6B · 8B · 7AFrom 7B, 8B (C major) lifts the energy a step; 7A (D minor) settles into the relative minor; 6B (B♭ major) cools the energy down a step.
How to mix it
In 7B at 127 BPM: 8B (C major) — move to 8B to push the floor harder; 7A (D minor) — switch to 7A for a mood change without losing the groove; 6B (B♭ major) — drop to 6B to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2B rather than 7B; below -5% it reads as 12B. With key lock on, it stays 7B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More house
More from Eric Prydz
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
