Slammin'
30s preview
- BPM
- 127
- Open Key
- 3m
- Energy
- 81/100
- Pop
- 33/100
- Length
- 7:16
- Released
- 2003
- Genre
- House
- Label
- Feel The Rhythm
- Loudness
- -8.0 dB
- Dynamics
- 12.8 dB
- ISRC
- CH4880604502
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Slammin' (Axwell Remix)remix2B · 127
- Slammin' (Acapella)original7B · 127
Slammin' runs 127 BPM in B minor (10A), a peak-time tempo house record. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). A 2003 production that still circulates in sets. Groovier than 89% of Eric Prydz's catalogue. In a set it works best as a peak-time weapon.
- Reach:
- better known than 77% of Eric Prydz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Slammin' in?
Slammin' by Eric Prydz is in B minor, or 10A on the Camelot wheel.
What BPM is Slammin'?
Slammin' runs at 127 BPM, a peak-time tempo track.
What mixes well with Slammin'?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Slammin' good for peak time?
With energy 81 out of 100 at 127 BPM, it works best as a peak-time weapon.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
![Niton [The Reason] - Pryda 82 Remix by Eric Prydz cover art](https://i.scdn.co/image/ab67616d00001e029bb2044de55f70cf88276024){kind=small}
How to mix it
In 10A at 127 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 81/100).
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More house
More from Eric Prydz
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
