Generate - Radio Edit
30s preview
- Key
- 1B · B major
- BPM
- 127
- Open Key
- 6d
- Energy
- 82/100
- Pop
- 0/100
- Length
- 2:45
- Released
- 2015
- Album
- Generate (Radio Edit)
- Genre
- House
- Loudness
- -5.0 dB
- Dynamics
- 10.2 dB
- ISRC
- GB6CM1300100
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Generateoriginal1B · 127
- Generateoriginal1B · 127
- Generate - Kölsch Remixremix11A · 125
- Generate - Kydus Remixremix11B · 125
Against the original (1B at 127 BPM), this version holds the same tempo in the same key.
Generate - Radio Edit: peak-time tempo house, B major (1B), 127 BPM. It reads as punchy, neutral in mood. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2015 production that still circulates in sets. More underground than 99% of Eric Prydz's catalogue. For programming, treat it as a peak-time weapon.
- Low end:
- more bass-heavy than 81% of Eric Prydz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Generate - Radio Edit in?
Generate - Radio Edit by Eric Prydz is in B major, or 1B on the Camelot wheel.
What BPM is Generate - Radio Edit?
Generate - Radio Edit runs at 127 BPM, a peak-time tempo track.
What mixes well with Generate - Radio Edit?
From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.
Is Generate - Radio Edit good for peak time?
With energy 82 out of 100 at 127 BPM, it works best as a peak-time weapon.
Mixes harmonically
1B → 12B · 2B · 1AFrom 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.
How to mix it
In 1B at 127 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 82/100).
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More house
More from Eric Prydz
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
