Raise the Alarm (extended mix)
30s preview
- BPM
- 127
- Open Key
- 3m
- Energy
- 83/100
- Pop
- 0/100
- Length
- 7:11
- Released
- 2025
- Genre
- Tech House
- Loudness
- -6.8 dB
- Dynamics
- 9.2 dB
- ISRC
- GXFNP2500014
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Raise The Alarm - Mix Cutoriginal10B · 127
Against the original (10B at 127 BPM), this version holds the same tempo and moves the key from 10B to 10A.
Raise the Alarm (extended mix) runs 127 BPM in B minor (10A), a peak-time tempo tech house record. The feel is dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. More underground than 99% of Cristoph's catalogue.
- Low end:
- more bass-heavy than 98% of Cristoph's catalogue
- Tempo:
- faster than 93% of Cristoph's catalogue
- Brightness:
- darker than 92% of Cristoph's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 47%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 16%
- Upper-mid
- 570 Hz-2.5 kHz
- 5%
- High
- 2.5-11 kHz
FAQ
What key is Raise the Alarm (extended mix) in?
Raise the Alarm (extended mix) by Cristoph is in B minor, or 10A on the Camelot wheel.
What BPM is Raise the Alarm (extended mix)?
Raise the Alarm (extended mix) runs at 127 BPM, a peak-time tempo track.
What mixes well with Raise the Alarm (extended mix)?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Raise the Alarm (extended mix) good for peak time?
With energy 83 out of 100 at 127 BPM, it works best as a peak-time weapon.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 127 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 83/100).
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More tech house
More from Cristoph
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
